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Corot Camille The woman of the pearl oil painting


The woman of the pearl
Painting ID::  38141
Corot Camille
The woman of the pearl
mk131 1868-1870 Without doubt is the but famous of the pictures of figures of corot and the one that but fascinacion has exercised despues on impressionists and cubist.

   
   
     

Corot Camille Christine Nilson or Bohemia with Mandolin oil painting


Christine Nilson or Bohemia with Mandolin
Painting ID::  38142
Corot Camille
Christine Nilson or Bohemia with Mandolin
mk131 1874 Corot declares in these portraits of study its aficion by the theater and operates it.

   
   
     

Corot Camille The lady of blue oil painting


The lady of blue
Painting ID::  38143
Corot Camille
The lady of blue
mk131 1874 Surely and I finalize and but extrano of the pictures of figures painted by Corot

   
   
     

Corot Camille The Little Shepherd oil painting


The Little Shepherd
Painting ID::  38735
Corot Camille
The Little Shepherd
mk141 1840 Oil on canvas 135x110cm

   
   
     

Corot Camille The Italian vill behind pines oil painting


The Italian vill behind pines
Painting ID::  50189
Corot Camille
The Italian vill behind pines
mk209 undate 61x44

   
   
     

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     Corot Camille
     French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers

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     | Pietro Graziani | FONTANA, Lavinia | Ange Tissier |


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